By Fyllis Hockman
Farm history. Family history. Artistry. Bursts of color. Tradition. Community. Creativity. So many different celebrations of life represented by the bountiful wooden quilts that majestically drape almost five dozen barn doors illuminating the landscape of Tualatin Valley (Twal'-i-tin), Oregon (Oar'-i-gun). And yes, the semantics DO make a difference, at least locally. The combination of personal history and rural tradition that find voice in these quilt blocks brings to life customs, folklore and artistic expression reminiscent of the whole valley.
First a little history. In 2012 Julie Mason, herself a quilter, introduced the concept to the local quilters' guild after seeing a Quilt Barn Trail in the Midwest. They rallied behind the idea of bringing grass roots to unexpected places, and just a short six years later 60 quilt barns have emerged throughout the valley. It took two years and a lot of persuasive efforts to get the right permits and zoning requirements to allow for the 8-foot-by-8-foot painted wooden blocks representing actual quilt designs to start appearing on barn doors.
The quilt barns represent an agricultural heritage, providing a connection each family has to the quilt and that the quilt has to their history. From inception to installation takes six to eight weeks, and the quilters' guild works closely with the farm owners on design, colors and concept.
The Hovering Hawks block on the Simpson Century Farm — a farm that is not only 100-plus years old but has been inhabited by the same family for that long — was the first block to go up in 2015, two weeks after the sign ordinance was signed and where, under the watchful eye of owner Beth Hess, all of the quilt blocks are now built, painted and assembled, an arduous, labor-intensive task fully manned by a dozen very skilled volunteers. Beth's own choice reflects an old quilt design from the Oregon Trail that also pays homage to the many hawks that inhabit their land.
Reasons different farmers choose a particular pattern range from having a favorite quilt to a favorite farm crop or animal, personal family history — either current or historic — or a kinship to a sunset or other natural vista or just some intrinsically appealing color combination. The quilt blocks are as diverse as the farms and farmers to which they belong.
Currently the quilt barns have been divided among four routes throughout Tualatin Valley — and the mapping out of directions is still in process. I mainly traveled the route through Forest Grove, visiting a wide variety of visually delightful, colorful and meaningful quilt-barn participants — from a windmill paying tribute to the farm owner's Dutch heritage to a covered wagon celebrating the family's grandfather who traveled over the treacherous Oregon Trail. Along the rural routes are vineyards and fruit orchards as plentiful throughout the countryside as Starbucks is on city street corners.
Among the farms and quilt blocks we visited were the Foerlinger Farm, which replicates the first quilt block the owner had made with her grandmother. The Blooming Farm, built in 1882, sports a sunflower block that commemorates the family's favorite flower that grows in their garden. The Walta Farm displays a classic block of green and yellow that colorfully suggests the sweet corn and green beans grown on the farm. The 1930s barn on the Rohrer property honors the six tribes of Native Americans who made their home near the site.
In case you tire a bit of gawking at pretty barn doors, stop at Plum Hill, whose block shares its home with a vineyard. So, of course, wine tastings are in order. The quilt block itself is a traditional pattern often used in quilts given as wedding gifts and aptly named Double Wedding Ring, a favorite of the farm's co-owner, Juanita Lint, a quilter herself. The wines, however, proved a favorite of mine, especially the white made from the Schonburger grape — and Plum Hill is the only winery in the United State to grow it. The property is extremely pet-friendly — dogs are everywhere — with a shrine to Lint's yellow Lab named Ghost. Her passing is noted in a sign announcing a recent "Yappy Hour" memorial celebration. Dog quotes vie with wine quotes throughout the shop: "Love is a fur-legged word."
I was glad we took Lint up on her offer of a tour. This was an intimate, hands-on, personal exposure to winemaking at its most primitive level. Old-school hardly adequately defines it. The operation is un-mechanized and labor-of-love intensive. We were literally one with the grapes at multiple levels of fermentation, pressing, aging and bottling — everything done by hand. Plum Hill produces 2,500 cases a year while its neighbor produces 90,000 — a fairly different process, I suspect.
But time now to visit some more quilt blocks. The aforementioned great-grandfather of the owner of the Spiesschaert Farm came to Oregon from Illinois via the tortuous Oregon Trail in 1884. The 100-year-old farm houses the original Conestoga wagon that carried three adults and seven children across the trail and the quilt block — a picture of the wagon — commemorates that history. The beautiful blue star design at the L Bar T Bison Ranch celebrates quilts developed by women who also crossed the Oregon Trail.
Driving away from Tualatin Valley, I was not surprised to see other barn quilts peeking through the trees that beckoned — no, practically begged — us to drive by if only just for a moment.
WHEN YOU GO
For more information: www.quiltbarnswc.blogspot.com
Fyllis Hockman and Victor Block are freelance writers. To read features by other Creators Syndicate writers and cartoonists, visit the Creators Syndicate website at www.creators.com.
A quilt block with a sunflower design adorns a barn in Oregon's Tualatin Valley. Photo courtesy of Victor Block.
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