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Roger L. Simon
24 Jul 2012
A Night at the Los Angeles Public Library

We live in times when the different sides in our country speak languages as far apart as Chinese and Italian. … Read More.

17 Jul 2012
Confessions of a Flip-flopper

Do not share this column with your friends, unless you really must. And, please, no Twitter or Facebook. It's … Read More.

13 Jul 2012
Birth of the Cool

Back when I was a kid, I desperately wanted to be cool. I endlessly played my Miles Davis "Birth of the … Read More.

A Better Life: Hangin' With the Homeboys


Last Saturday, I was at a downtown Los Angeles Marriott for the annual Lo Maximo Awards Dinner of Homeboys Industries. Homeboys, according to its mission statement, "assists at-risk, formerly gang-involved youth and the recently incarcerated to become contributing members of our community."

Actually, they're kind of a small business, employing a number of (hopefully permanent) ex-gang members in what are largely the food trades — cafes, bakeries, etc.

The slogan of the Homeboys is, "Nothing stops a bullet like a job." They are run by an extraordinary man named Father Greg Boyle, author of the best-selling "Tattoos on the Heart: The Power of Boundless Compassion."

I watched Saturday night as a succession of Homeboys and girls told their life stories. One was more moving than the next, but all of them had childhoods that could only be described as ghastly (parents addicted or murdered, often both — one young guy had been shot 10 times before he was 18).

My presence was in support of my friend, producer Paul Junger Witt, who — with director Chris Weitz and producer/actress Jami Gertz — was winning the Lo Maximo Award for making a film called "A Better Life," which will be opening nationwide on June 24.

I had my own involvement with the film, since I was its first writer back in 1989. "A Better Life" tells the story of an illegal alien gardener in Los Angeles battling to stay above water while keeping his teenage son (his wife is gone) from going over to the gangs.

When Paul Witt originally turned my script in to the studio that commissioned it (Columbia), the studio passed — but the two of us stayed with the hoped-for film for many years. It was what's called in Hollywood "a passion project."

I wrote several versions, and in the late '90s, Andy Garcia became attached to play the gardener with me directing. We never got the money, and with some reluctance, I went on to other things.

Some years later, another writer, Eric Eason, came aboard and modernized my script. (He did a very good job, I think.) Weitz ("About a Boy") was brought on to direct and — more than 20 years after I first started on it — the movie got made. (The writing credits now read: screenplay by Eric Eason, story by Roger L. Simon.)

It was Weitz who had the intelligence and the humility to bring on the Homeboys as advisers to add authenticity to the project. And in his acceptance speech at the Marriott, Weitz showed that humility, acknowledging how ironic it was that the Homeboys were giving the filmmakers an award, not the other way around.

When I first went to see the finished film myself a few weeks ago, I did so, naturally, with some trepidation. What had happened to my child?

Well, I am more than pleased to report that I liked it a lot. Weitz did a far better job than I would have done. Damien Bechir, a well-known Mexican actor who plays the the gardener, is quite moving. But then you will all be able to see for yourselves at the end of June and make up your own minds. Apparently, the Homeboys liked it.

To find out more about Roger L. Simon, and read features by other Creators Syndicate writers and cartoonists, visit the Creators Syndicate webpage at



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