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Ethnically Speaking, May 23

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Dear Larry: I want to respond to the column about the white man who gave a fruit plate to his next-door neighbors, who happen to be black. The fruit plate had contained watermelon, which made him uneasy, so he removed all of it before he presented it.

The man wanted to know whether you thought giving watermelon to blacks is offensive. You stated that neither you nor any of your surveyed black friends would feel put upon if given watermelon. Thank you for your insight.

On the front page of the section in my newspaper containing your article was a photograph of a black choral group in a predominately African-American church. The picture showed them all singing in whiteface.

I understand the feelings of blacks regarding the way blackface was used in old minstrel shows and by Al Jolson, who was an old-time famous Broadway and film entertainer.

My question is this: What is the religious significance of blacks' singing in whiteface? — Jack

Dear Jack: All during the civil rights movement, I heard blacks putting down Al Jolson because he performed in blackface. This put-down was one of the major reasons I started on my path of critical thinking and stopped accepting black leaders' words unconditionally.

Al Jolson was a jazz singer. He put on blackface because most of the performers of jazz were blacks.

It was his way of introducing the true origin of the music to America when blacks were not allowed in the entertainment industry.

In 1911, at the age of 25, Al Jolson became known for fighting for the rights of blacks on the Broadway stage. He is credited with opening the door for Duke Ellington, Louis Armstrong, Cab Calloway, Fats Waller and Ethel Waters. I knew that information, and I couldn't stand it when Johnny-come-latelies criticized a person who opened the door for so many minorities.

I think the same thing about black leaders who criticize Jews. It was the Jews who fought for black civil rights when it wasn't popular. It was the Jews who organized the NAACP. If it weren't for Jews, the entire civil rights movement would not have happened.

I always will be grateful for their sacrifice and dedication to fairness. For that, I do not listen to the likes of Jesse Jackson, Al Sharpton and Louis Farrakhan.

Now that I have vented, I am sorry to say that I do not know of any religious reason blacks would wear whiteface.

Blacks wore whiteface in the 19th century as a way of safely venting their emotions. During Mardi Gras, blacks would wear whiteface and mock whites, acting out by mimicking whites' behaviors and exaggerating their features in a humorous and biting way.

If there is a religious significance, I am sure one of my readers will share the information. Readers?

To find out more about Larry G. Meeks and read features by other Creators Syndicate writers and cartoonists, visit the Creators Syndicate Web page at www.creators.com.

COPYRIGHT 2009 CREATORS SYNDICATE INC.


Comments

2 Comments | Post Comment
Larry,
I'm on board when it comes to Al Jolson and him opening doors for minorities in entertainment. The reason i know you're telling the truth is because I run a website called "Mardi Gras Digest.Com". I had to do months of research to find out why the Zulu Social Aide & Pleasure Club here wears, "blackface", during Carnival in New Orleans.
However, In all my research and studies I can't recall one time that blacks mimicked whites by wearing "Whiteface in Carnival"
What are your sources and references, on this, so I get the whole story!
Thanks
Comment: #1
Posted by: Willie Clark
Mon May 25, 2009 12:41 AM
Dear Larry,

As an English fan of Al Jolson, I was heartened to read your comments.
A show about his fabled American entertainer, which ran in the UK earlier this year, attracted a lot of media attention because the producers elected not to allow the actor portraying Jolson to appear in blackface. Their intention was to avoid any criticism from the ill-informed, who look upon the use of blackface as derogatory. Ironically, the producers were castigated by many theatre critics for their pusillanimity in avoiding the issue! After reading so much adverse criticism of Jolson from people who know nothing of his efforts on behalf of black entertainers, it's nice to have an opposing point of view aired. America should be proud of this patriotic and talented immigrant, who brought so much pleasure to audiences during some very hard times.
More power to your elbow!

Gratefully, Reg Reeve
Comment: #2
Posted by: Reg Reeve
Wed Jun 10, 2009 5:17 AM
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